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Italia: Music of Fantasy and Vitality
The Kelowna Forum
Kelowna, BC
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Date
Nov 18, 2018 2:30 PM



Admission Level Price Remaining Quantity
Students and Seniors CA$20.00 (CA$21.69 w/service fee) 84
Students and Seniors  
General CA$22.00 (CA$23.76 w/service fee) 84
Adult  
 
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Event

Italia: Music of Fantasy and Vitality
The Early Music Studio presents:

Italia: Music of Fantasy and Vitality
Sunday, November 18, at 2:30 pm, at Kelowa Forum, Ethel at Cawston

With Clive Titmuss, lute, archlute, early guitar, and Susan Adams, Italian harpsichord, early piano

The Italian spirit is fundamental to the history of music. Theyinvented the violin, the piano, and they developed the whole idea of music as a performance art over centuries, beginning in the 1500s. Even the words "music" and "concert" are Italian.

Early Music Studio is celebrating this pioneering and adventurous flowering in music with a concert devoted entirely to music by Italian composers from around 1500 to the early 1800s.


From one of the earliest decorated illuminated manuscripts from Venice comes music for the lute by Brescian nobleman Vincenzo Capirola. His works are among the first pieces of music to be written down in precise form, and his book was preserved because of its beautiful watercolour illustrations. It also includes the music history's first clear instructions on how to play a musical instrument.

The concert continues with music written by Alessandro Piccinini for the archlute and published in Venice in 1629.  A larger instrument with long bass strings, the archlute was built recently after historic models by luthier Clive Titmuss. Piccinini developed a complex personal style based court dances and improvised pieces that he played in private concerts in the breath-taking interiors of Venetian palazzi.

Some of the greatest music and most influential keyboard music from the early seventeenth century comes from the pen of Girolamo Frescobaldi.  He was from Ferrara, and became the organist of St. Peters Basilica.  Famous for his improvisations, thousands of people would gather to hear him play, and much of what he improvised found its way into his work.  

Harpsichordist Susan Adams plays his pieces on a precise copy of an Italian harpsichord originally built in 1694, now at the Smithsonian Institution. Playing his toccatas and variations, she creates a portrait of a composer as he explores the limits of sophistication in counterpoint and the elaborate technique of variation unique to his style.

In the second half of the concert, Susan and Clive present an entirely different kind of music from the beginning of the 1800s, playing a replica of Mozarts piano and a guitar designed by Luigi Legnani and made by Hermann Hauser, Munich, 1922.  

Clive plays music by Ferdinando Carulli, a prolific Neapolitan composer and teacher who migrated to Paris.  In addition to music for the unusual combination of piano and guitar, Clive plays a large-scale solo Sonata, which showcases Carullis gift for melody.

On a remarkable copy of a Viennese piano from the late 18th Century, Susan plays the music of Muzio Clementi, who once met Mozart in a competition. It was decided that Mozart was the better improviser. Clementi was unquestionably the better player and during his life he was called the father of the piano for his astonishing technical prowess.  He was an innovator, who explored dramatic ideas never previously heard on a keyboard instrument.

Eventually he moved to London, and began a long career of performing, publishing his music, and manufacturing fine pianos. For many years the music of Clementi was overshadowed by his German and English rivals, but more recently he has returned to the international esteem which he enjoyed during his lifetime.

The concert shows that our idea of music as a performing art has its roots in early Italian composers who innovated relentlessly over successive centuries, creating an entire repertoire of masterpieces. Their influence on composers in Northern Europe was incalculable, and almost every aspiring musicians training was based on Italian models.

It will be a full and fascinating program of highly unusual music, played with gusto by seasoned professionals who make their home in Kelowna, and who have carved out a reputation for unique early music played on period instruments public in the Okanagan.

Location

The Kelowna Forum (View)
1317 Ethel St.
Kelowna, BC V1Y 2X1
Canada


Categories

Arts > Performance
Music > Classical
Music > World

Minimum Age: 12
Kid Friendly: No
Dog Friendly: No
Non-Smoking: Yes!
Wheelchair Accessible: No

Contact

Owner: Early Music Studio
On BPT Since: Oct 13, 2012
 
Early Music Studio
250 769 2884
info@earlymusicstudio.com
earlymusicstudio.com
 

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Attendees

Dina H.
Kelowna, BC Canada
Nov 12, 2018 6:49 AM
George H.
Kelowna, BC Canada
Nov 12, 2018 6:49 AM
Kerry D.
Kelowna, BC Canada
Nov 11, 2018 5:00 PM
Joanne H.
Kelowna, BC Canada
Nov 11, 2018 5:00 PM
Vern H.
Kamloops, BC Canada
Nov 10, 2018 9:04 PM
Teresa B.
Kamloops, BC Canada
Nov 10, 2018 9:04 PM

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