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We are thrilled to showcase 3 of LA's finest musicians in the genre of experimental music.
Invisible Path will begin the evening with a set at 9:30PM.
Invisible Path is a musical vessel for the cosmic sound explorations of Michael Bailey. His music is an avenue to explore experimental/psychedelic/minimal/cosmic music and to work with and around sound techniques such as feedback manipulation, found sound, alternate tunings, unorthodox instrumental treatments, tape manipulation and multi-instrumental performance. The goal is to carefully apply these various sonic forms through solo and collaborative improvisations with the intent to explore ideas such as universal consciousness, deep listening, physical harmonic effects, musical conversation and unexplainable feelings/sensations. A large component of the performance aspect is meditation, in the sense of allowing oneself to play what is heard within and to project it outward. The music will inspire your imagination and takes your mind off to distant places. (MB) http://theinvisiblepath.bandcamp.com/
Ustad Morelock
Ustad Morelock is a founding member of the Los Angeles-area music agglomerate The Hop-Frog Kollectiv. Through various incarnations the group has placed emphasis on a gritty experimental style with Eastern mystical influence. After more than a decade of hosting live music gatherings around LA and most recently Dung Mummy Presents Jawbone 2014 in the canyons of the Mojave Desert, the Ustad hosts the weekly live music program Dung Mummy Radio on killradio.org. With his currently active bands Deglet Noor Fakirs and Daylight Bats the Ustad weaves droning guitar patterns and colors of fuzz and glitchy MIDI guitar tones with the intensity and spirit of Sufi chants or gamelan.
Sleepwalkers Local
"Of all the ways improv can be approached, for me it is through the guitar that the most powerful spontaneous expressions take place. Call that part of my rock bias, or warping from one too many Kaiji Haino records, but there it is. Here, a solo venue for guitarist Grant Capes, the instrument cries, drones and pokes holes in the space given to it.
With good improvisation, you can feel the moments when the artist on the tightrope is about to slip, but rights himself and takes off into something unexpected even for him. There are many such successful risks taken on this record. In one fifty minute slab of fretwork, Capes covers a wide range of emotional territory, most of it delivered with passion and expressive chord progressions. He plays inside a groove as well as provides a way into the grooves." - Mike Wood
$10 (or more) suggested donation.
Your donation supports the music and the arts.
Seats will be limited. RSVP is recommended.
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LocationIrisphere Visual Arts (View)
4650 W. Washington Blvd.
Los Angeles, CA 90016
United States
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| Kid Friendly: No |
| Dog Friendly: No |
| Non-Smoking: Yes! |
| Wheelchair Accessible: Yes! |
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