View site in English, Español, or Français
The fair-trade ticketing company.
Sign Me Up!  |  Log In
Find An Event Create Your Event Help
An Intimate Evening with Lena Prima
Zeeland Street Market
Baton Rouge, LA
Share this event:
Get Tickets
There are no active dates for this event.


An Intimate Evening with Lena Prima
For the past eight years, Lena Prima and her band have been doing regular shows at the Monteleones Carousel Bar. For those in the know, its one of those special things you can only find in New Orleans: The daughter of music royalty doing a personalized take of classic songs, from her dad and elsewhere. Sometimes its a crowd of music fans and sometimes theyre outnumbered by the tourists that come in for cocktails and dancing, but Prima doesnt mind: Being a natural entertainer is one of a few things that run in her blood.

The family history is hard to avoid, not least because Lenas father Louis Prima did a residency in the very same hotel (in the upper-level Skylight Room, which is no longer a nightclub) toward the end of his career. Lena seldom does a show without a few of her dads greatest hits, at least Jump, Jive an Wail, Just a Gigolo and Pennies from Heavenbut her sweeter voice naturally gives them a different spin, and shell drop a few nuggets of family history in the song intros. When she includes some of her dads humorsay, an ad-lib about ravioliyou can hear her delighting in the absurdity, just as she probably did as a child.

But something subtler been going on through the long residency, and it has to do with Lena finding her footing as her own artist. When she and her husband (and sometime bassist) Tim Fahey moved to New Orleans in 2011, shed spent many years coming to terms with her musical bloodlinesometimes embracing it and sometimes avoiding it altogether. As a recording artist, shes been a bit of a chameleon: Shes devoted a couple of albums to her fathers repertoire, but also recorded some non-Prima jazz standards, and done a mostly-original album (2014s Starting Something) in the entirely different context of locally rooted funky rock. From New Orleans shes gotten the freedom to try all these approaches; in turn New Orleans has gained a vocalist who can do them with personality and joy.

Lena Prima. Photo by Gus Bennett
Lena Prima. Photo by Gus Bennett
Shes now about to go national, with the new album Prima La Famiglia (her debut for Basin Street) as the calling card. Its a bit different and a lot more ambitious than anything shes done before, less a tribute to her dad than a warm embrace of the Italian pop tradition, mostly from pre-rock eras (while her father sang quite a few of these songs, none are obvious signature tunes). Read between the lines and theres a lot of affection for family and culture, but shes also claiming a musical niche thats anything but crowded nowadays.

I had a strong feeling about taking these songs and passing them on to this generation, she says. Italian people definitely relate to these songs. Frank Sinatra and Dean Martin always sang Italian songs. Until I moved back here, I didnt realize how much Sicilian immigration there was in New Orleans and how many Italian-Americans live here. My dad always addressed the importance of my heritage, and thats gotten stronger for me over the years. My dad really became a hero to Italian-Americans because he did these songs. It wasnt always good to be Italian back then, and he made everyone feel proud about their heritagewhich included being able to laugh about it.

Anyone who grew up with Italian pop will understand how passionate love ballads can sit right alongside novelty tunes; its all part of the spirit underlying that music. Sometimes its all in the same song, like her version of Come on-a My House, a tune associated with Rosemary Clooney. Lena treats it as playfully sexy, keeping that mood even when shes singing about pasta fagioli. Thats the way it is with Italian womentheres a sexy factor, but the sexy is funny. And every Italian woman wants to cook for you and have every kind of food you can imagine. The history of that song is interesting because it was presented to Rosemary Clooney and my dad at the same time; theyre so similar that it could be the same arrangement. And I know that Rosemary wasnt into the novelty songs, but it ended up being her biggest hit. I really wanted to record that, and we rearranged it so it would have a definite chorus.

Its also the largest-scale production of any record shes made, done in Nashville with co-producer Scott Williamson and with pianist Larry Sieberth (her regular bandleader at the Monteleone) writing the arrangements for a big band with strings as well as horns. My idea was to take these different songssome Italian folk songs, some comedy songs and some real swingersand make them sound modern and unified, Sieberth said in a separate interview. It was less about literal transcribing than conceptual transcribingadding my own twists, sometimes more advanced harmonies, putting in some of that Nelson Riddle-style contrapuntal big-band writing. The overall question was, How can we make this hip?

Lena was born in 1965, the daughter of Louis Prima and his fifth and last wife Gia Maione, also the singer who replaced Keely Smith as his featured duet partner. As a child Lena lived both in Las Vegas and New Orleans, attending St. Peters in Covington and Covington High School. They also lived on Esplanade Avenue for a time, and during the summers shed accompany her parents to their Vegas residenciesa life that she says wasnt as glamorous as it sounds. Asked about bring a showbiz kid Lena says, Its funny, I never had that feeling at all. I did a show once with some other children of celebrities, like [Judy Garlands daughter] Lorna Luft and Dean Martins sonthey all grew up together in Hollywood, and that wasnt the case for me. My dad lived in Las Vegas but it was outside the actual city, and he had a golf course there. So I never had that showbiz feeling, it was more like growing up on a farm.

She was, however, a devoted fan of her dad, and keeps affectionate memories of their short time together (he entered a coma when she was ten, and died three years later). I looked up to him like he was the most important person in the world, aside from the president. My mom too, Id watch her putting on her makeup like she was a movie star. It was always exciting to go out with my dad, because he was a joyful, excited guy all the time. Wed drive up and down the strip and hed say, Hey, look where you are right now! Everybody wants to be right here!

Though they had good moments together, she also connected to him via TV and radio, and got to know all the Louis Prima records the public largely missedlike his 1968 cover of the Lovin Spoonfuls Bald Headed Lena, which bugged her because she wasnt bald. The gargling solo was great thoughhow often do you hear that? She also remembers the first time she heard Pensate Amore, a song she revives on the new album. I was watching the Flintstones on TV, Fred was singing to Wilma at a tower in Rome, and I swore I heard my dads voice dubbed. So I ran to my mom and she said I was mistaken, she said He never did anything for Hanna-Barbera. It wasnt until decades later, when researching a book about her childhood shes working on, that she discovered via Wikipedia that Louis did indeed sing the song in a Flintstones movie. And I loved it. Thats what my dads message wasEverything is about love. Dont think about the future, look at the moon.

Another tune she resurrected for the album, See That Youre Born an Italian, is even more obscure, but there exists a mid-60s clip (not on YouTube, alas) of both her parents doing it with Steve Lawrence and Eydie Gormé on the latter couples TV show. Her version preserves the bit where the band quotes from Arrivederci Roma. Says Lena, My dad and mom recorded it together, so that was another 45 that I had to search for. Its such a cute song though, and that 60s version is just so 60s.

Lena Prima. Photo by Gus Bennett
Lena Prima. Photo by Gus Bennett
Lena made her stage debut at age five, a moment she remembers vividly. It was at the Sands and I sang Santa Claus is Comin to Town. I remember that I was wearing this little sailor dress, hanging on to the end of my dads coat. I remember the spotlight shining in my eyes, and the people up front beaming and smiling at me. Years later someone sent me an envelope of those photos, which was an amazing giftto see how lit up my little face was, the joy that I felt standing up there. And I remembered the sailor dressisnt it like a little girl to remember her fashions?

The main mystery here is what took her so long to embrace the family legacy and start her career in earnest. The answer to that question is one shes never really tackled before this interview, and still the toughest one to talk about. But it goes back to her mothers reservations about her even having a singing careerand to some extent, Gias unresolved feelings about being a performer herself. My mother was part of the 50s. She was raised in a really strict Italian family where youre supposed to get married and have children, and still be beautiful so that everyone thinks your husband has the most together wife.

So when I announced to her that I wanted to be a singer, she didnt approve. But heres the part that I didnt remember before: She said to me, If youre going to be a singer, youd better be better than anybody else, or youre going to be an embarrassment to the family name. Thats why I hid out as a singer for so long: I couldnt in my own mind say that I was absolutely better than everybody. Theres always that thing between mothers and daughters; you dont want disapproval of a parent. I loved her and she loved me, but my doing this was the denial of the status quo. I decided not to marry [at a young age], not to have children, not to do what my mother did. That was why I didnt start my career until my late forties. I feel confident in myself now, for the first time ever. And thats a story I want to tell, for the women who are struggling with it the way I did.

Her mother bucked the same norms by joining Louis Primas band, but Lena feels that Gia never thought of herself as a professional singer. She was only 20 when she snuck out to audition for the job, without her fathers knowing. She was working as a hostess at the time and the music part was a hobby. And thats the way she kept it: She was a wife and a mother and a homemaker first, and she sang sometimes; she always told me it was okay if it was a hobby. But I wonder how she really felt about it. That was how that generation worked, they pushed their passions aside. Its completely possible that she had bigger dreams and resigned herself.

Which is why Lena chose to enter music pretty much incognito; at 19 she joined a cover band that was playing the Vegas circuit. As the featured girl singer she sang all the obligatory hits of the timeTil Tuesdays Voices Carry, Scandals Goodbye to You and the rest. It was the 80s, so my hair had a magenta tint. I would copy everythingmy voice had a similar tone quality to Ann Wilson of Heart, and I did a lot of Journey because that was also in my wheelhouse. I was hiding out, because I still felt that I wasnt supposed to be a singer. So I could just be the girl singer, working under the bands name; I felt comfortable doing that. And I stayed that way for 20 years. Even when a new generation discovered Louis Prima in the wake of David Lee Roths cover of Just a Gigolo/I Aint Got Nobody (a version virtually identical to the original, down to tempo and nuance), she kept her history under wraps.

The turning point came in the early 90s, when she did the cruise-ship circuit with the Spiral Starecase (still riding its early-70s hit More Today Than Yesterday). Someone in the ships office caught her name and put her up front, to the rest of the groups chagrin. Thats when people started telling me these amazing stories about my dad. One woman told me shed cut school to see him play. She was sitting in the front row and my dad took a bite of her sandwich, that picture got in the newspaper and she got busted. But she said it was worth it.

She continued trying to summon the confidence to put on her own show, getting input from some of her dads associatesnotably his longtime drummer Jimmy Vincent and another Vegas connection, Wayne Newtons piano player Glenn Smith. I kept telling him the reasons I had for not going out on my own, and his response was always Bullshit. But I really didnt think I was supposed to be a singer. After my dad died I didnt have another family member who was supportive about it. But I remember, the night I talked to Glenn, I went back to my cabin and the movie they were showing was Field of Dreams. That struck a chord.

She finally invested money for an arranger and band, and launched her own showwhich would seem a slam-dunk in Vegas, but that didnt turn out to be the case. Bookings got hard to come by, and after a time she was working more in her other line as a jewelry designer. Vegas really changed. There were nightclubs and DJs, but there werent any venues for the kind of music I was doing, my dads music. It was her other hometown, New Orleans, that gave her the kind of reception she couldnt find in Vegas. She was booked for the Jazz Fest in 2010, where she, her brother Louis Jr. and Keely Smith all played separate sets to celebrate Louis Primas 100th birthday (he also got the Fest poster that year painted by Tony Bennett). For Lena it was a pivotal trip that felt just like coming home.

We booked a couple of dates around that Jazz Fest and it was amazing. WWOZ played the whole show live, I got to play the Louisiana Music Factory and [Irvin Mayfields] Jazz Playhouse. It was all a completely different feeling in regards to the music I was playing and what I was. And when we got back to Vegas, there was a distinct difference in the way it felt. In New Orleans there was always music, there was art and a vibe, there was something going onin Vegas I didnt have that feeling. It was more about the gambling and the money and the big corporations. So my husband and I just said, Lets move. We couldnt even afford to do it, the market was really bad. We sold our house to a real estate investor and got half of what we wantedbut we didnt care. And it didnt take long before the move paid off: They took residence in New Orleans on Christmas 2011; the first Monteleone show was on January 6.

The next couple years should involve a lot of moving. Prima has wound down the Monteleone residency for the time being, to concentrate on touring; shows in Vegas and New York are now being planned. The local CD release party is planned for February 7th at the Royal Sonesta Jazz Playhouse from 5 to 7 p.m. Shes also formed a nonprofit, CIAO Women!, which honors Italian-American women whove done positive things in their communities. Between that and the album she seems set to carry on the family business of spreading a little Italian-style cheer.

Between that and the album she seems set to carry on the family business of taking Italy to the world. Her band is also ready to take things to the next level. I think shes really elevated her performance as well as her individuality, taking it from the bar scene to the concert stage, says Lawrence Sieberth. There are a lot of offspring performers out there, and they dont all have an easy time. My feeling, and my hope, is that shes elevated herself to the point where its less about her being Louis Primas daughter, and more that he was her father.


Zeeland Street Market (View)
2031 Perkins Rd
Baton Rouge, LA 70808
United States


Music > Jazz

Kid Friendly: Yes!
Dog Friendly: No
Non-Smoking: Yes!
Wheelchair Accessible: Yes!


Contact us
24/7 Customer Service
1-800-838-3006 US, Canada, Puerto Rico
Ticket Buyers
Track Your Order
Browse Events
Event Producers
Create an Event
Buy Pre-Printed Tickets
The Venue List
Find out about local events
Get daily or weekly email notifications of new and discounted events in your neighborhood.
Sign up for local events
Connect with us
Follow us on Facebook
Follow us on Twitter
Follow us on Instagram
Watch us on YouTube
Read our blog
Get to know us
Use of this service is subject to the Terms of Usage, Privacy Policy, and Cookie Policy of Brown Paper Tickets. All rights reserved. © 2000-2019 Mobile EN ES FR