Shannon McNally in concert
Thom Jurek at All Music said it best, "Only Gram Parsons' term "Cosmic American Music" begins to touch her mercurial, changeling roots aesthetic, . . McNally is a Zen-like, post-Beat song poet. For those who have followed Shannon McNallys nearly twenty year career the thing that most sticks with the listener about her, is the timeless effortlessness that she brings to all she does. With a long catalog and longer list of peers with whom she has written, recorded and toured, McNally continues to turn out great music that defies blatant genre-fication.
At home across the American (Americana) music spectrum, the Grammy nominee whos live music career began on the jam band circuit of the 1990s with bands like Robert Randolph and Derek Trucks, writes as well as she interprets the songs of others, has a top tier musicality to her craft, a soul stirring voice that immediately grabs one by the heart strings and a troubadours wanderlust, not to mention as it turns out, she is also an excellent electric guitar player.
Like her anti-hero heroes J.J. Cale, Tom Waits, Bob Dylan. Dr. John, and Jim Dickinson, McNally knows who she serves. She serves the song. Her quiet but steady plodding through the many layers of the business of music, hasnt ever been rewarded with massive fame and fortune but in time that slow burn has become the treasure in and of itself.
The part of McNallys narrative that is often missed is that not only has she self-managed herself for nearly all of her career but that she has also been a stout warrior-like-artist who often went toe-to-toe with label heads and A&R to defend and fight for her visions. She left the major label world after ten years at Capital/EMI to fend for herself on various smaller labels and self-release paradigms. Perhaps the business of music is finally catching up with her independent spirit. We shall see.
"She has the voice: bruised, smoky and ornery, right at home where country and soul meet. She has the melodies and the timing - shes irresistible. Jon Pareles, The New York Times
"McNally .sensual, swaggering, smokey. ..exhibiting an ability to depict pleasure and pain with an explicitness that seems deceptively natural for such a reasonably young songwriter..a healthy dose of lowdown country and ragged soul..McNally's sound bears a timelessness that's truly uncommon." Austin Chronicle
"She is probably rocks most talented undiscovered gem. This woman with the confident voice, pin-point lyrics and effortless guitar playing.Shannon McNally can rock your socks off at the same time she is hitting you over the head with words that actually make sense."
"I first heard of Shannon McNally through John Leventhal, who described her vocal skills as having just the right amount of girlish smoke. At the time I was looking for just the right singer to make a cameo appearance on a song I was recording called Famous Last Words of a Fool. Trusting Johns appraisal---from his description I imagined something of a cross between Joan Jett and Lauren Bacall---I set about tracking the mystery singer down. What I eventually discovered in the small town of Holly Springs, Mississippi was this dark-eyed beauty who wrote grown-up songs, played a pretty mean Fender Stratocaster and, at times, sounded a lot Jesse Mae Hemphill. From our first meeting I couldnt shake the feeling that I was the right man for the job of shepherding the next Shannon McNally record into existence. Now that the record is made, I hope music lovers around the world will come to know what I and many others already know: This girl belongs in the Americana Music spotlight."
The Kitchen Sink Recording Studio (View)
528 Jose Street
Santa Fe, NM 87501
|Minimum Age: 5|
|Kid Friendly: Yes!|
|Dog Friendly: No|
|Wheelchair Accessible: Yes!|