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Flasher
The Sinkhole
Saint Louis, MO
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Flasher
Flasher (DC / Domino Records)
https://linktr.ee/ffflasher
The bands 2018 debut, Constant Image, was a triumph  a set of songs both dizzy and explosive, balancing new-wave lushness and post-punk frenzy. Love is Yours steps up the ambition and reaches for the horizon. The record is ablaze with mood, melody, and carefully threaded hooks, finding the band foregrounding the pop sensibilities that had always been present in their previous releases. It retains the attitude that was fundamental to the bands DIY roots, but cuts loose a touch of the angst. Though the songs process disillusionment and loss, the music evokes warmth and optimism. It is their best record and also their most generous.

The album was written and recorded amid a moment of flux for the band. Now a duo, guitarist Taylor Mulitz and drummer Emma Baker had to reimagine Flashers voice. They embraced uncertainty and allowed their roles to become unfixed. They wrote collaboratively and followed their intuition. Instruments were swapped, harmonies were layered over samples, and a space was created for Baker to step out from behind the drumkit into a front person, sharing vocals alongside Mulitz. On the other end Flasher emerged familiar, but also stronger and more singular.

Formed in 2015, Flasher was born out of Washington, D.C.s newly resurgent underground music scene. In that context, the trio stood out. They were urgent and wiry, but could also convey a cool and authentic tenderness. A year later, when the city was leaden with post-election gloom, Flasher could remind you  however fleetingly  that pleasure was still a possibility. They released an EP and a 7 single on Sister Polygon Records before joining Domino for Constant Image. The record was critically adored and ceaselessly toured. When the D.C. trio finally took a breath nearly two years later it was at an unmistakable high point. Flasher had hit the road alongside its heroes, scored spots on festival bills, and packed hometown shows.

Not long after that, as the band prepared to hunker down and begin writing their follow up, D.C.s tight-knit community began to splinter and realign. Bands broke up. People got older, became restless, and moved on. Flasher was not spared a shake-up. Bassist Daniel Saperstein parted ways with the group. Mulitz would eventually decide to relocate  first to Baltimore and then to Los Angeles, making the group bi-coastal.

Working as a duo took a bit of recalibration. The songwriting process changed dramatically, but in a way that quickly began to feel energising. Once we had this implosion, we let go of the pretence and confines that we had pigeonholed ourselves into, says Mulitz. Going into this record, the vision was pretty simple: We wanted to write songs that came intuitively. We were leaning into that while consciously creating a real space of trust and openness.

The bulk of Love is Yours was recorded in Washington, D.C. with long-time friend Owen Wuerker, who also helped flesh out the instrumentation by contributing additional bass, percussion, synths, and guitar. Rather than binding the duo to its past  to geography, old habits, or trusted sounds  the familiar environment proved

liberating. Working out of Wuerkers well appointed home-studio allowed inspiration to arrive off deadline. With no shows in sight, Flasher could relax on presenting as a rock band. Baker and Mulitz tweaked tempos, structures, and dynamics accordingly. They toyed with genre, melody, and texture. From the first dubbed out drum hits of opener I Saw You to the swirling trip hop outro of the closing track Tangerine, Love Is Yours is an exhilarating joy-ride that is at turns dreamily introspective and elegantly pop-leaning.

The Baker-lead Little Things is indicative of the former. Rhythmically driving but melodically hushed, it slips seamlessly from its final chorus into a woozy head-rush outro. Inspired by a bout of vertigo, the song registers as eerily universal  the lyric Im spinning out at home unintentionally channelling the strangeness and disorientation of the last two years.

The title track is Flasher at its most widescreen. Structurally, it mirrors the roller-coaster dips of a long-term romance, with a taught bassline guiding the melancholy-tinged verse toward syncopated and swoony lift off. The song illuminates one of the albums most affecting through-lines: Navigating the tricky shift from a younger outlook on relationships to the tougher ascent of an enduring partnership, whether creative or romantic.

Freedom is another major thread. Sideways evokes the liminal stillness-in-motion feeling of a long-distance drive  attentive but adrift, relaxed but reflective  with a laid back groove that is at once motorik trance and fluid boogie. Im Better is more explicit and also more playful, revelling in guilt-free trash-talk, bye-bitch! energies, and the bliss of feeling a toxic relationship recede into the rearview. Album opener I Saw You uses a wave of guitar feedback and sampled boombox gristle to pivot from melancholy into a vibrant and fully unburdened dream-pop chorus.

When it was first completed, Mulitz was shy about sharing the album, worrying that old friends would find the new sounds unrecognisable. Love is Yours is unquestionably made up of Flashers DNA, but its true that something pivotal has shifted. If Constant Image found the band tightening up and transcending its basement-punk roots, Love is Yours marks another, major moment of ascent, this time toward something thats easy to embrace, but harder to pin down  still thrilling, but newly illuminated and entirely their own.


w/

Trauma Harness (STL)

Crisis Walk Ins (STL)

Pealds (STL)

730pm - doors
8pm - show
$12adv / $15dos
All Ages

Location

The Sinkhole (View)
7423 S Broadway
Saint Louis, MO 63111
United States

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