Jaime Wyatt with Esther Rose at the 'Dad Lounge
If theres one lesson to be gleaned from Neon Cross, the newest release from singer, songwriter and guitarist Jaime Wyatt, its that life, in all its inherent messiness, goes on. And through it allgood times and bad, triumph and trouble, dreaming and desperationWyatt continues, to borrow the title of one of her new songs, just L I V I N.
To be sure, theres a whole lot of livin in the 11 tracks on Neon Cross, from the whisky-soaked honky tonks outlined in the heated and hungry title track, where Wyatt, with pitiful perfume, dark glasses, gold liquor and alligator shoes, plies her trade from the stage, to the mountains of pain, regret and loss baked into the slow-burning soul groove of By Your Side, which the artist says she wrote after my dad died and my best friend overdosed, and I wasnt able to show up for either of them because I was loaded, to the stark solitude of Sweet Mess, where Wyatt, in the throes of a crumbling relationship, opines that just like all the rest, Ill be forgotten.
I tried not to have any filter with these songs, Wyatt says about her open-book approach to writing. Because I'll be honestit feels like I'm gonna die if I don't tell people how I feel and who I am. She pauses and lets out a slight laugh. It sounds so dramatic, but that's the truth.
If Wyatt sounds defiant, well, theres a reason for that. Her life story is specked with difficultand unusualtwists and turns. Shes an immensely talented and insightful singer-songwriter who signed to her first record label as a teenager, achieving early success before losing that deal and being put through the music-industry wringer; a country music devotee who ever since has been honing her craft in bars and clubs, late night after late night and long year after long year; and a hard-luck, hard-living artist whose outlaw tales are more than mere lyrical fodder for a woe-is-me honky-tonk tunebefore she was even 21, Wyatt battled a nasty drug addiction and served close to a year in L.A. county jail for robbing her heroin dealer, experiences that were chronicled on her much-lauded 2017 effort, Felony Blues.
It's been just this gnarly, gnarly process, but one that is so human, Wyatt says. So theres been a lot of turmoil and drama. But this record is a lot about rebirth, too.
When it came to capturing that rebirth, Wyatt had some assistance from key collaboratorsin particular, Shooter Jennings, who produced Neon Cross. The two have history togetherJennings has taken Wyatt on tour, and she used some of his backing band on Felony Blues. But none of that mattered to Wyatt when it came to putting her songs in Jennings capable hands.
Shooters my friend and, yeah, he's Shooter Jennings, she acknowledges. But when it comes to the studio I don't care who you areI'm really, really decisive about what I want, so Ive got to be able to work with you. And what really sold me on Shooter is that he understands grooveshe gets how to instruct a band to build a groove that is so powerful underneath a song. And its crazy because that's what Waylon [Jennings, Shooters father] did. He always had these rad country songs with these super-weird, like, funky rock n roll grooves under them. He would take things to interesting and unexpected places. Shooter has that same instinct.
As does Wyatt. Together, she and Jennings boldly color outside the country lines on Neon Cross, taking a wide-lens sonic and stylistic approach to the songs. Sure, theres plenty of swaggering, tough-as-nails rock (Goodbye Queen, the aforementioned Make Something Outta Me) and classic-minded honky tonk (L I V I N, the pedal-steel-doused Wyatt/Jennings duet Hurts So Bad) to be found on the album, but the 11 tracks are also studded with all manner of sonic ear candy, from moaning, misty guitars (Mercy) and stately pianos (Sweet Mess), to spacey effects (Make Something Outta Me) sawing fiddles (Demon Tied to a Chair in My Brain) and even a Buddy Holly-style rhythm pulse on the title track.
I have a pretty strong vision, Wyatt says, but Shooter would suggest some crazy rock reference on a song that I thought was clear-cut Buck Owens and somehow it would just be right. It was this real organic process of working together.
At the end of the day, that sonic backdrop (and its worth noting here that much of the excellent six-string work on Neon Cross comes courtesy of the late, great Neal Casal, in one of his final studio performances before his passing in August) is all in service to Wyatts incisive lyrics and expressive vocals, which can be achingly sensitive and sincere one minute, and unflinchingly cocksure and dispassionate the next.
Either way, theyre never anything but wholly captivating, and maybe nowhere more so than on another duet on the record, Just a Woman, which sees Wyatt paired up with an outlaw forebear, Jessi Colter, for a trad-country feminist anthem on which she declares Theres not a man in this world I would rather be.
As for the origins of that one, Wyatt explains, I was just living my life and having a hard time with the fact that I can't really fully bro down with a guy who does what I do, because, you know, his wife is gonna look at me and think it's inappropriate.
Also, she continues, I'm leading a band full of young men, and Ive been doing it for 20 years now, and I have to find a particular type of young man that's going to listen to me and trust me and want to work for a woman. And that's fine. Its a deeply ingrained thing and it's kind of odd that I do what I do. So I wanted to write a song that addressed all that without being too...Wyatt pauses, searching for the right wordlame. And, she says, Who better to do it with than the queen of outlaw country? Who better, indeed?
And yet, as might be expected from someone with such a turbulent backstory, even the challenges faced by Wyatt as a woman working in country music come with an extra wrinkle: Following her most recent bid at getting clean (which, as of this moment, has been successful), Wyatt confronted some hard truths about her life and past romantic relationships, which resulted in her coming out as a gay woman to family and friends.
For Wyatt, a self-described introvert, this is very much a personal issue. I'm not, like, on the internet with flying rainbows, she quips. But at the same time, she says, Im also basically coming out to the world with this record. This is particularly evident on Rattlesnake Girl, where Wyatt sings, I see my sweet friends out on the weekends, they all look happy and gay / They keep their secrets all covered in sequins, people have too much to say. And for anyone who might have a problem with that? Well, theres also a line in the song about what Wyatt might do with her boot heel
Addressing the lyrics of the song, Wyatt says, My experience with recovery made me realize I lost years of my life being in the closet and living a lie and trying to be someone else. I just can't do it anymore. And yeah, I'm scared there are people that like country music that aren't gonna like that I'm gay. But like I said earlier, ultimately I'm going to die if I cant be who I am.
And besides, Wyatt, who was born in Los Angeles, grew up in the middle of the woods in the Pacific Northwest and currently resides in Nashville, has never been overly concerned with fitting in anyway. I mean, honestly, I don't feel like I fit in anywhere, she says. But thats fineI wouldn't want to get too comfortable. Because as an artist, being unique is my greatest asset. So if I were to fall into a scene, I probably wouldnt push myself to really make something that is captivating.
With Neon Cross, Wyatt has indeed made something captivatingand also incredibly unique. Which isnt as easy as it might seem. Its like John Lennon saidtheres nothing you can sing that can't be sung, Wyatt surmises. But hopefully you can at least put a new spin on it.
At the end of the day, she continues, thats all Im trying to do. Im just a songwriter, and I spend a good portion of my life in barrooms performing and worshipping country music and rock n roll and telling my story. And I do it because I believe in the power of music, and I believe that music has saved my life in so many ways, Wyatt says. And that belief is a powerful thing.
As much as she's a songwriter, Esther Rose is a scene setter, a crystallizer of moments, and a full time inhabitant of the dimly-lit world depicted in her songs. Rose found her voice over the course of years spent regularly performing and recording in New Orleans, combining her diy work ethic with an affinity for traditional country arrangements. Though still dressed with the dreamy lap steel, fiddle, and string bass accompaniment of earlier material, sophomore album You Made It This Far took on a far more personal tone. The songs were at times cuttingly direct, with storytelling lyrics culled straight from lived experiences both stormy and revelatory.
This unadulterated self searching reached new levels of emotional resonance on third album How Many Times. Tracked live to tape with help from co-producer Ross Farbe from synth pop band Video Age, Rose and her small band cultivate a warm, lived-in atmosphere to deliver songs that are deceptively restless and turbulent. Swaying vocal harmonies and dialed back, straightforward instrumental backing congeal around Rose's most fully realized work to date. As the album spins on, Rose navigates the chaos, upheaval, and exposed nerves of self discovery, and tells the tale with an intimacy that makes even the most painful moments feel almost sweet.
Friday, August 27th, 2021
8pm doors, 9pm-ish show start
$10 / 21+
Trinidad Lounge (View)
421 N. Commercial St.
Trinidad, CO 81082
|Minimum Age: 21|
|Kid Friendly: No|
|Dog Friendly: No|
|Wheelchair Accessible: Yes!|