Kevin Krauter at DRKMTTR
In music, theres often a tendency to focus on personal pain. Its a useful shorthand for understanding how an artist got to where they are now, but sometimes that heaviness doesnt leave enough room for nuance and change. In his solo work, the Indiana musician Kevin Krauter doesnt flinch when staring down his past, but he doesnt get too obsessed with the dark stuff either.
In 2018, Krauter released Toss Up, a quiet album that was built on intricate guitar riffs that looped back on themselves to create a feeling of sunlit calm. Krauters sophomore follow up, Full Hand, dives further into the world hes created one where songs are evocative of late afternoon light, or dust settling on a creaky floorboard, but with lyrics that probe Krauters personal life, grappling with sexuality and religion, while exploring what it means to grow up, grow more critical, and, in turn, more self-confident.
Across 12 tracks, Krauter tackles these emotional states and ideas through elliptical songwriting that is at once poetic and truthful. A lot of the lyrics touch on how I was raised religiously, touch on me understanding my sexuality more and more in recent years, Krauter says, just growing up and becoming more confident in myselfthat process of looking inward and taking stock of myself. Its not especially uncommon for artists to probe deep into their own psyche to uncover what makes them tic, but Krauters light touch feels like something all his own. On Full Hands first single, Pretty Boy, he sings, Look ahead, say I see me now / Smiling at what used to stress me out / Cause it wont be too long, but Ill take my time with it / It wont be too long till I come back home. Theres a palpable sense of joy in Krauters acceptance of dire, stressful moments, and a liberation that comes from hearing him realize that the present will eventually be the past, and hell be able to look back and find peace.
This sense of acceptance is the backbone of Full Hand, both musically and lyrically. Krauter took stock of the different phases of his life what he was listening to, how he felt when he was a teenager and welcomed all of it into his music. This meant that nothing was off-limits. All influences were fair game from early-00s emo to late 90s radio rock and his entire history, instead of becoming something to be ignored or pushed aside, became part of the patchwork of his music. Its nice to recognize that the instinct is there in me and all I have to do is say yes or no.
Around the release of Toss Up, Krauter shed light on his dominant artistic impulse toward overwhelmingly nice sounds that weave throughout lyrical meditations on personal growth. His vocal lilt on Opportunity is so warm, so effortlessly pretty, that youll almost miss moments of harsh truth like Wake up to a morning so listless / come to, sun is looming in. By the end of the song, Krauter is alone, left behind, looking at his life and wondering what hes supposed to do next. Its an easy fallback to be self-deprecating or defeatist in whatever I was I writing, he says. It was a challenge to myself to see how I could flip it the other way but also be real about it. I dont want to make some sugary, feelgood, all payoff thing because thats not what my life is like.
And on Full Hand, he gets there. Its an album that is a holistic look at a human life in progresspersonal flaws mean everything until they suddenly dont. Situations are terrible until a new perspective is uncovered, and then theyre not. Hes not so much looking for resolution as he is accepting the journey. On Surprise, that journey is distilled into nearly four minutes of perfect pop that manages to encompass the nuances of Krauters entire life. It explores anxieties I deal with and worries that I have. Areas in which I feel inadequate or unfulfilled. Its always a surprise to come to a realization that its not as good as I thought it was, he says of the song. And then having to jump back intoit doesnt matter. Life goes on.
Drkmttr Collective (View)
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