Foxwarrens backstory reads like a page torn from the manual of rock & roll authenticity, as this group of siblings and childhood friends originally formed more than a decade ago. Growing up in scattered small towns across the Canadian prairies, Andy Shauf (guitars/keys/vocals), Dallas Bryson (guitar/vocals), and brothers Darryl Kissick (bass) and Avery Kissick (drums & percussion) eventually found themselves in Regina, Saskatchewan. The initial sessions for their self-titled debut began in the Kissicks parents farmhouse while they were away on vacation. Upon their return, Foxwarren were forced to relocate and recording resumed back in Regina in a rented house where the members lived as roommates. The band's name comes from the Kissick brothers family home in Foxwarren, Manitoba.|
Foxwarren initially bonded over Pedro the Lion and drew influence from The Band and Paul Simon. Now a decade in to the project, Shauf reflects on their debut release: So much time and effort went into making this album; it's something I think we're all really proud of. My touring and recording schedule got pretty wild over the past three or four years, so it put the Foxwarren album on the backburner. Making the album was such an enjoyable time - the collaboration and frustration of it all. All of us trying to make something better than we previously had. I'm excited to get it out into the world and have other people listen to it. We've been a band for 10 years or so and never properly released an album, so this is special for the four of us. The self-titled album will be released on November 30, 2018 via ANTI- Records.
The infectious first single Everything Apart is built around a robotic bass line and came together very quickly. We wrote it late one night, remembers Darryl, Andy was home between tours, and the skeleton of the song came together really quickly. This one felt like a real experiment and was almost left off the album; it seemed like an outlier.
In contrast, the second single To Be was one of the first songs written for the project. We tinkered with it for ages and ended up drastically reworking it the weekend it was recorded. We knew early on that it was going to be the opening song on the record, states Darryl.
It was a guitar riff that I'd been playing for a few years at least, trying to figure out what to do with it, adds Shauf. It went through quite a few versions if I remember correctly. Foxwarren have a bad habit of never finishing vocal melodies and lyrics before we finish the music, so it made it a bit tricky and ended up being overhauled at the last minute.
Subtle and thoughtful, it draws parallels to frontman Andy Shaufs solo work while leaning on collaboration and looseness rather than Shaufs meticulous arrangements. Where Shauf leaves space for orchestration, Foxwarren take time to ruminate on passages and themes. Propped up by warm driving rhythms and a familiar voice, and coloured with soft electronics and coarse guitars, its a record that ultimately hinges on sincerity. It captures the feeling of friends pushing each other, of a band looking inward for inspiration instead of outward for influence.
Hannah Cohen has arrived home. From the title of her new album to the depth and beauty of the music, the Woodstock, NY-based singer-songwriters third album, Welcome Home, displays a confidence and comfort with the many creative tools at her disposal. Cohens remarkably evocative voice is surrounded by dreamy, swooning incantations, from the rippling This Is Your Life and the slow-burning, forthright statement of All I Want, to the soul swagger of Get in Line and dramatic vocal leaps of Wasting My Time. Produced by Sam Evian, the artist began developing the material that became Welcome Home in 2017. Taking her time with the songs, she wrapped herself in the fulfilling quiet of a new home, and a new creative partnership that supported finding a clarity in her writing and vocals. Many of the songs were written on an old, nylon-string guitar painted with Hawaiian scenes of beaches and palm trees (which can be heard on This Is Your Life), that, no matter the final arrangement, gives the songs a lighter touch, a warming glow that suffuses the whole album. Listeners may find echoes of folk and R&B, radiating with vocal-powered pop production, electronic accents, and bursts of pulsing guitar/bass/drums energy. Irresistible echoes of soul enchanters such as Carrie Cleveland (an early touchstone for Cohen and Evian), Marvin Gaye, Bill Withers and their friend and sometime collaborator Nick Hakim blend with the reflective singer/writer forebears such as Carole King.
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