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Lindi Ortega and Dustbowl Revival
Dyson House Listening Room
Baton Rouge, LA
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Date
Nov 11, 2018 6:30 PM



Admission Level Price Quantity
Back of house $15.00 ($16.52 w/service fee) Sales Ended
Last two rows
General $20.00 ($21.69 w/service fee) Sales Ended
$25 at the door
VIP $35.00 ($37.22 w/service fee) Sold Out
Front two rows
 

Event

Lindi Ortega and Dustbowl Revival
Lindi Ortega gives fair warning: Dont come any closer to my heart /If youre afraid of the dark.

However, that shroud is slowly lifted in Liberty. As the narrative unfolds in this concept album, a central character emerges  one who finally sheds the darkness of her past and emerges into the light. As melodies and tempos change throughout Liberty, her journey carries her steadily forward. Listen closely and youll find Ortegas experiences in the lyrics too.

I think the most important thing for me was that I ended on a very positive note because I've had so many people tell me that my songs helped them through really hard times in their life, Ortega says. That struck a chord for me, because just like everybody else, I have had hard times in my life, and continue to have pockets of difficult moments here and there. If I can provide some sort of solace with my music, then that gives me every reason to make music. I wanted this record to be all about helping people through the darkness.

The melodies and arrangements of Liberty draw on the epic work of Oscar-winning composer Ennio Morricone, who became one of Ortegas musical obsessions during the writing and recording of Liberty. Moreover she enlisted Nashville producer Skylar Wilson (Justin Townes Earle, Rayland Baxter) when she discovered their shared passion for Quentin Tarantino movies. It is fitting that NPRs All Things Considered has described Ortega as genre-defying in both her music and her personal style.

Ive never had a cohesive album like this before, she says. This record's quite different in that I'm actually taking a bit of a step back, being softer, having more nuance in the way I'm singing, and it's been a welcome challenge. I went into this creating songs with unpredictable chord changes, which allowed for it to sound more musical and interesting to me.

During the sessions at Battle Tapes studio in East Nashville, Ortega and Wilson scaled back the boot-stomping, throwback country approach that shes known for, instead polishing a set of music that reflects her lineage. Her father is Mexican; her mother is Irish. Ortega cites Linda Ronstadts album Canciones de mi Padre (translated as Songs of My Father) and her mothers vinyl collection of 70s country songwriters like Dolly Parton and Willie Nelson as major influences in her music today. The sonic landscape of Liberty is enhanced by Nashville band Steelism, known for their dramatic blend of pedal steel guitar and electric guitar, as well as Country Music Hall of Fame member Charlie McCoy on harmonica.

I wanted to do something musical and cinematic. It was really important for me to expand my horizons and pave new ground for myself, she says. This is my first time singing in Spanish. I have always wanted to write chorus for a Spanish chorus for an original song. I won't claim to have the most perfect diction in the world with it. But I can say that I gave it my all, and that I felt very proud to be able to do that, because I'm a huge fan of Mexican culture. It's very different than anything I've done before and I find that really exciting.

As the album progresses, the listener gets the sense that the protagonist is leaving behind her past, whether its a crowd of unsavory characters in You Aint Foolin Me or perhaps a lost love from childhood in Until My Dying Day. Grief turns to desperation in Nothings Impossible and The Comeback Kid. The tides begin to turn on Darkness Be Done. About halfway through, with Forever Blue, the character makes a choice to follow the light.

Meanwhile the song Pablo is inspired by her new husband, Daniel Huscroft. With a lilting melody and clever lyrics, Lovers in Love showcases Ortegas skillful songwriting. For Liberty, she composed roughly half of the songs alone. On the remaining tracks, her co-writers include Aaron Raitiere, Bruce Wallace and John Paul White (The Civil Wars).

Throughout her career, Ortega has remained committed to putting on a good performance for her audience. Most nights, she will come out after the show to sign autographs, take photos, and just visit. When she shared her stunning wedding photos on social media, she admits that her followers were quite alarmed. They expressed their concern that the flow of sad songs would come to an abrupt halt. After hearing Liberty, those listeners will realize there was no need to worry.

When you have experiences that are dark, you can always draw from that well. You don't forget it. You don't erase it -- I don't ever want to erase it because it makes me who I am, Ortega says. And it helps me relate to other people who have similar experiences. You can't truly appreciate happiness in life unless you've understood what it's like to feel the opposite way.

Ortega concludes the album with Gracia a la Vida from the pen of Chilean composer Violetta Parra. The title translates as Thank you to Life.

Even though I always tried to have a silver lining, whether it's by making my songs tongue-in-cheek, or writing some dark lyrics to happy music, there's always been an element of balancing light and dark on my previous albums, Ortega explains. But this is a full story, and I want everybody to be able to take something away from it at the end of the day.

- Craig Shelburne

-------------------------------------------------

Dustbowl Revival is an Americana Soul band with eight full-time members who mash the sounds of New Orleans funk, bluegrass, soul, pre-war blues, and roots music, into a genre-hopping, time-bending dance party that coaxes new fire out of familiar coal. Dustbowl is touring behind their self-titled, fourth studio album which spent three weeks on Billboard charts, hit #1 on Amazon Americana-Alt-Country, #2 on Amazon Folk, and has spent 13 weeks on the Americana radio chart peaking in the Top 20.

The band was founded in 2008 in the bohemian enclave of Venice Beach, California. Over the last five years Dustbowl has become known for their free-flowing and joyous live shows, combining their funk rhythm and brass section with a fast-picking string band section - opening for bands as diverse as Lake Street Dive, Trombone Shorty and The Preservation Hall Jazz Band, touring China as a guest of the state department and headlining festivals like Delfest, Floydfest, Hardly Strictly Bluegrass, and recently Bergenfest (Norway) and Tonder Festival (Denmark). The band received a big wave of attention with their music video that featured famous actor Dick Van Dyke for "Never Had to Go", which garnered over 10 million cumulative views. That video is now airing in an HBO Doc titled "If You're Not in the Obit, Eat Breakfast" starring Jerry Seinfeld, Mel Brooks, and Dick Van Dyke.
 
While the band has been known for their old-time and bluegrass roots, they have departed from those styles and evolved more into modern soul music. Now, with Producer Grammy Award-winning Ted Hutt (Old Crow Medicine Show, Gaslight Anthem, Dropkick Murphys) who collaborated on the recent album, Dustbowl Revival brings it on, in the good company of neo-Soul contemporaries such as Nathaniel Rateliff & The Night Sweats and St. Paul & The Broken Bones. The album delivers eleven hot tracks, dominated by love-triangle funk & soul, tenderized with a nod to the unlikely possibility of true love  i.e. "Honey I Love You", with Grammy Award-winning blues artist Keb Mo sitting in.

Guitar /Vocals  Z. Lupetin
Vocals / Ukulele  Liz Beebe
Mandolin  Daniel Mark
Fiddle  Connor Vance
Trumpet  Matt Rubin
Trombone  Ulf Bjorlin
Bass  James Klopfleisch
Drums  Joshlyn Heffernan

Location

Dyson House Listening Room (View)
7575 Jefferson Hwy.
Baton Rouge, LA 70809
United States


Categories

Music > Americana
Music > Bluegrass
Music > Country
Music > Folk

Kid Friendly: Yes!
Dog Friendly: No
Non-Smoking: Yes!
Wheelchair Accessible: Yes!

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