TAUK w/ EXmag
On their new album Shapeshifter II: Outbreak, New York-bred band TAUK offer an unsettling but ultimately exhilarating look at artificial intelligence and its potential to upend our world. With its dynamic sense of tension and cinematic mastery of mood, TAUKs all-instrumental blend of progressive rock, hip-hop, and jazz proves to be the perfect backdrop for such explorations, giving way to an album thats both powerfully hypnotic and intensely thought-provoking.
Were all very much interested in A.I., and this idea of machines getting out of the hands of the people trying to control them, notes TAUK guitarist Matt Jalbert, whose bandmates include bassist Charlie Dolan, keyboardist Alric A.C. Carter, and drummer Isaac Teel. This album felt like a good setting to tell that kind of story, but in a way where we could have fun with it and let the listener escape into a whole other world.
Equally inspired by classic sci-fi like Blade Runner and more recent films like Ex Machina, Shapeshifter II: Outbreak embeds that narrative into TAUKs most sonically adventurous, emotionally expansive work to date. A continuation of their early-2018 EP Shapeshifter I: Construct, the new album picks up its predecessors narrative thread with Prelude: a fantastically unsettling intro track whose frenetic keyboard work and chilling vocal samples set the tone for whats to come. The idea is that in the EP youre seeing the construction of this being, and in the album youre seeing it break out and become something that you cant ignore anymore, Carter explains.
From there, TAUK charge forward with the driving rhythms of Recreational Outrage (a track laced with the ominous throb of a robotic heartbeat), the futuristic soundscape and heady grooves of CMF 9000, the gauzy reverie and glorious chaos of Checkmate, and the bright melodies and soulful guitar sprawl of Convoy. One of the albums most mesmerizing moments, Let It Ride builds a brilliant tapestry from its luminous keyboard tones, kinetic guitar work, and kaleidoscopic rhythms. And on Upside Down, TAUK close out Shapeshifter II: Outbreak with a thrillingly epic burst of unfettered experimentalism.
Free-flowing yet elaborately composed, Shapeshifter II: Outbreak came to life in collaboration with TAUKs longtime cohort Robert Carranzaa Grammy Award-winning producer/mixer/engineer also known for his work The Mars Volta, Ozomatli, Marilyn Manson, and Taj Mahal. In a departure from their previous releases (including 2016s Sir Nebula), the band shunned the typical studio environment and holed up for weeks in a long-abandoned, century-old home that Teel describes as the Jumanji house meets Addams Family meets Amityville Horror. Located in their homeland of Long Island, the house turned out to be the ideal spot for their makeshift studio, allowing for a creativity-enhancing seclusion. Overall the whole process was incredibly organicthere were no constrictions as far as time or space, nothing ever felt forced, says Dolan. There was a greater feeling of possibility, and it ended up being a really liberating experience for all of us. Jalbert adds: The location definitely added to the vibe of everything we were going for. It was like we set up a laboratory in the middle of nowhere and shut off the rest of the world, which really helped get us into a specific headspace.
True to its thematic terrain, Shapeshifter II: Outbreak endlessly blurs the boundaries between organic and electronic, with TAUK broadening their sonic palette to include a vast spectrum of synth sounds and programmed effects (such as those exquisitely eerie vocal samples heard in Prelude). And in sculpting the albums intricate arrangements, TAUK called on such esteemed musicians as The Naughty Horns, Ghost-Notes Nate Werth (a percussionist whos also played with David Crosby, Q-Tip, and Snarky Puppy), and Juan Alderete (longtime bassist for Racer X and The Mars Volta).
Throughout Shapeshifter II: Outbreak, TAUK reveal the potent chemistry they discovered in childhood, when longtime friends Dolan, Jalbert, and Carter formed their first band in seventh grade. After playing together in various projects, the trio brought Teel into the fold in 2012, cementing the final lineup. Since then, TAUK have shared stages with acts like Umphreys McGee, Widespread Panic, and Lettuce, appeared at festivals like Electric Forest and Bonnaroo, and earned acclaim from major outlets like the Washington Post (who praised TAUK for creating a hard-charging, often melodic fusion thatthanks to a penchant for improvoffers limitless possibilities). As Teel points out, the bands incessant touring over the years has significantly strengthened their musical connection. The four of us as individuals are all very animated souls in our own right, he says. We each have our ideas and our perspectives, and when it all comes together, it creates this collective statement that takes on a life of its own.
In creating Shapeshifter II: Outbreak, TAUK made that statement more deliberate and impactful than ever before. But while several upcoming videos and the vibrant artwork of illustrator Raul Urias add a new dimension to the albums concept, the band purposely maintained a certain open-endedness in its execution. People tell us all kinds of stories about what our songs mean to them, and its always cool to see how wide the gamut of those stories is, says Carter. What the song means to me might not be the same as what it means to you, but thats one of the great things about this whole experience. Theres room for everyone to develop whatever narrative they want.
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