Richie Kotzen has never been an artist known for playing by the rules. And for this ever- adventurous triple-threat songwriter/guitarist/vocalist, that meant putting on the brakes after a nonstop flurry of band-related activity in order to refuel the creative process for the ten heartfelt and hard-hitting songs that comprise his vibrant new solo album, Salting Earth, out April 14 via his own custom label, Headroom-Inc. In other words, Kotzen tossed convention on its ear by actually taking one step back in order to move two steps forward. Its something I really needed to do in order to reset myself, Kotzen explains.
Kotzens charge to recharge was officially put into play following the mega-success of the 201516 tour behind his band The Winery Dogs sophomore effort, the oh-so- appropriately named Hot Streak. And the mans reset manifesto wound up hitting all the right buttons too. The proof is on display deep within the grooves of Salting Earth, which veers from the balls-out, heads-up declaration of the opening track End of Earth to the burning-sky harmonic thrust of Thunder to the Prince-like funk-jazz swing of This Is Life to the acoustified take-me-as-I-am self-reflection of the albums final song, Grammy.
Once Kotzen caught his creative breath, the ideas for Salting Earth just kept on a- coming. I have a theory about writers block, he offers. Basically, I dont believe in it. In my experience, when I dont feel inspired or I dont have any ideas, it equates to not having any output. In order to have output, you need input. So it really comes down to the balance between your artistic side and your life side. You need balance between the two, and thats why its so important for me to take long breaks from music.
Kotzens reaffirming commitment to that life/work balance soon begat vibrant, new music. Its in that time when Im away from it where ideas begin to take shape, he continues. Then, when I find myself coming back to music, I end up in a situation with a wealth of ideas and creative energy. When Im in that zone, the music literally writes itself. Lyrics, music, production, performance it all happens simultaneously on its own.
The majority of Salting Earth is the result of Kotzens one-man production machine, with the exception of Julia Lage adding background vocals to Make It Easy, a tasty, sing- along groove stew. Its really not deliberate when the record is finished and suddenly Im the only performer on it, Kotzen admits. It actually comes out of my process of writing and documenting my ideas. It started back in the late-80s when I had a makeshift studio in my parents barn. I grew up fairly isolated, and I soon realized in order to get this music out of my head and onto a format where I could listen to it, Id
have to figure out how to do it alone.
Part of Kotzens Salting Earth reset process also meant having a commitment to challenge himself. Im not sure I can totally define how or why my creative process works the way it does, but I will say once again that I believe long breaks help me stay inspired musically, he reiterates. I do know that on this record, I wrote a lot more on the piano. The song My Rock, for example, has absolutely no guitar in the recording its just piano, bass, drums, and vocals. Not that that is an odd choice, but being that for most of my career Ive been highlighted as a guitarist, I suppose for people who never bought one of my CDs in the past, this would be surprising. But its not so surprising to me.
For the artist within, the music mined for Salting Earth ultimately came down to being about the relationship between song and vocal. Thats really it, Kotzen agrees. Every other choice is made based on what I feel suits the composition and what will support the lead vocal. That is the foundation on how my music is built. I suppose its just how I hear things. If you think about it, when your mind hums a tune, you are humming the melody. When you sing Happy Birthday, you dont sing the drumbeat, do you?
Kotzens previous solo release, 2015s diverse, far-reaching Cannibals, was a well- received hit among his core fan base, and Salting Earth cuts like the aforementioned End of Earth, Thunder, and Divine Power all showcase the scorching guitar solos and soaring vocals that one would expect from a Kotzen solo album. That said, theres also quite a vulnerable side on display here thats perhaps best demonstrated in the stripped-down approach to the albums closing salvo, Grammy.
That song came to me in the oddest way at the most inconvenient time, Kotzen reveals of the track that can be filed in the first thought, best thought category. One night when he was home alone, I basically woke myself up with the chorus melody in my head, and in my haze, I knew that if I didnt at least record the idea, it would be forever lost, Kotzen explains. I ended up programming a simple drum beat, and then recorded the acoustic guitar. The lyrics pretty much wrote themselves. By 6 in the morning, the song was finished. I was going to do more overdubs, but I kept playing it over and over, and I just felt like there was something so personal coming out of the speakers. By messing with it, Id likely destroy the magic so I left it as it is. (Good call on that one, Richie!)
Bringing Salting Earth live to the people is Kotzens next holy mission. My real outlet is touring playing live as much as I can, wherever I can, whenever I can, he says enthusiastically. Its one of the few things you cant copy, steal, or download. Its an engaging human experience thats a give-and-take between both the performer and the audience, and there is nothing else like it on this earth.
To that end, Kotzen will launch his Salting Earth Tour on April 21 at The Canyon Club in Agoura Hills, California, and then the man and his band will tour extensively throughout the United States and continue their journey into Mexico, South America, and Europe.
Further tour details will be posted on Kotzens official website, www.richiekotzen.com, and additional information regarding upcoming shows and releases can be followed on Twitter (@Richie_Kotzen) and Instagram (@richie_kotzen).
Kotzen is clearly eager to hit the road. I know this is going to be a long album cycle of touring, and already we are talking about going to places Ive never been before like Australia, for example, Kotzen notes. With the new record being done and knowing dates are being booked around the world, I can feel my creative energy surging once again.
Said energy surge has been seeded quite liberally all throughout Salting Earth, an album that shows Kotzen as the pillar for how to harness newfound creativity in the best light imaginable. Come and dig his Earth.
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