Event

Judith Ren-Lay: "Crone of Thorns" Presented by TWEED.

This show is part of "Sundays @ Seven" a series presented by TWEED Theater Works, Kevin Malony artistic director.

A vocal tornado of songs and poetry asking questions about our shared human identity.

Cloaked in fabric of varying colors and designs, Judith Ren-Lay spins her voice and writing to create a dynamic vision of life as an older woman, having lived through 7 decades of performing in New York City. Featuring songs from her Stealth Songbook - Born, Too Much Emotion, Falling, Metaphysical Jungle, Gun On The Table, Strung Out, Hairsplitter, Needy We, Holy Land, Big Baby, WWIII, Time Is Our Freedom, Hunter, Reality.

Judith Ren-Lay is a multi-discipline artist who has produced work in dance, performance, music, poetry, photography, collage, drawing and sculpture as well as costume and set design for her signature solo pieces. Since 1978 her work has been part of New York's performance world, and is archived at the New York Public Library for the Performing Arts. This is her return to performance after many years recovering from a run-in with a speeding cab.

"Some of the most amazing sounds Ive heard a human make."
Ted Kane, Jazz Review

"An explorer whose undiscovered country was life itself." Jack Anderson, New York Times.

"Ren-Lays wide-ranging elusive performance suggests that there are entire dimensions of music that remain unexplored." Wayne Robins, New York Newsday.

Photo Credit: Emma R. Brown

All Sales Are Final. NO REFUNDS

SEATING AT PANGEA IS COMMUNAL. OTHER GUESTS MAY BE SEATED AT THE TABLE. THERE IS A $20 MINIMUM PER PERSON (FOOD OR BEVERAGE).
FOOD OR BEVERAGES PURCHASED IN THE MAIN BAR/DINING ROOM WILL NOT BE APPLIED TO THE PERFORMANCE SPACE MINIMUM.

SEATING BEGINS AT 6:00PM.

SEATING IS FIRST COME FIRST SERVE.

LATE ARRIVALS WILL BE SEATED AT THE MANAGEMENT'S DISCRETION AND ONLY IF THERE IS A SUITABLE BREAK IN THE PERFORMANCE.

Downtown's intimate supper-club Pangea is the ultimate in alt, playing home to some of the best in alt cabaret. The New York Times recently called it "a bohemian oasis not unlike the fabled Max's Kansas City from days gone by."