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U.S. premiere of Jon Jost's Swimming in Nebraska
Spielberg Theater at the Egyptian
Los Angeles, CA
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U.S. premiere of Jon Jost's Swimming in Nebraska
Sunday March 18, 2012, 7:30 pm
Los Angeles Filmforum presents the U.S. premiere of Jon Jost's Swimming in Nebraska
Jon Jost in person!

Spielberg Theatre at the Egyptian, 6712 Hollywood Blvd., Los Angeles CA 90028
Tickets: $10 general, $6 students/seniors; free for Filmforum members
Available on Brown Paper Tickets

Swimming in Nebraska
U.S. Premiere!
2010 | Lincoln, NE | Digital Video | Color | Sound | 74 min
Director/Cinematographer/Editor: Jon Jost

"An essay-documentary of what I suppose most would call an experimental kind. It is meant as an oblique critique of the kind of provincialism in which New Yorkers or Parisians or Angelinos say things like, "Nebraska, there's nothing there" or refer to the American mid-West as "fly-over country." This film is a celebration of the provincialism where there's "nothing." A rich tapestry of color, ideas, and a kind of spirituality. An electronic essay."  Jon Jost   Renowned filmmaker Jon Jost in person!

This is the third of three nights with Jon Jost in Los Angeles.  Friday March 16 at 8:00 pm we're hosting him at the Echo Park Film Center with his film CHAMELEON.  Saturday March 17 at 5:00 pm he'll be at Cinefamily with his other Los Angeles-based film ANGEL CITY.  

Born in Chicago on May 16, 1943, of a military family, Jon Jost grew up in Georgia, Kansas, Japan, Italy, Germany and Virginia. Expelled from college in 1962, he began making 16mm films in January, 1963. He is self-taught. He has made some 20+ shorts and 14 feature length films on celluloid, 16 and 35mm, all of which he has conceived, written, photographed, directed and edited; most of these he also produced. Since 1996 he has worked only in Digital Video (DV), completing 18 full-length works and many shorts, as well as one large-scale 7 screen installation work, TRINITY, presented at the ZKM, Karlsruhe Germany, in this medium as of 2009.
After 10 years of making short works, Jost made his first feature-length film in 1974, and since devoted himself to the making of a wide-ranging series of films, largely focused on specifically American topics, in forms ranging from essays (Speaking Directly, Stagefright, Plain Talk & Common Sense), to fictions (Last Chants for a Slow Dance; Bell Diamond) to documentaries (Nas Correntes De Luz da Ria Formosa, London Brief) and hybrids such as Angel City. In Digital Video his work shifted to include highly abstract works such as Passages, Trinity and Dissonance
His work has shown widely in museums, film archives, and festivals since 1975. Most recently his films were accorded full retrospectives at the Cinemateca Portuguese (1996) and the Filmoteca EspaƱol (1997), and in 2006 the Buenos Aires Independent Festival accorded his work a partial retrospective.   He has been regularly invited to major film festivals with new work, including Venice (2004), Rotterdam (2008), Berlin, Toronto, London, Edinburgh, Sydney, Yamagata, Jeonju, Singapore, and many others.
Jost's recent work, HOMECOMING, was shown at the Venice Film Festival, Cinema Digitale section, in Sept. 2004, and then was shown at the Rotterdam festival in January 2005, as well as being in competition at Jeon Ju, Korea. Since 2006 his works, PASSAGES, LA LUNGA OMBRA, and OVER HERE were screened at the Rotterdam Festival, and subsequently at Jeon Ju, Warsaw, Frankfurt, Split, San Jose Maverick and other festivals. His most recent film, Imagens de uma cidade perdida was shown in Rotterdam and in competition at the Yamagata documentary festival in Japan in Oct 2011.
This screening series is supported, in part, by the Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission; the Department of Cultural Affairs, City of Los Angeles; and the Andy Warhol Foundation for the Visual Arts. Special support provided by the Academy of Motion Picture Arts and Sciences and Metabolic Studio.   Additional support generously provided by American Cinematheque.

Note that the Egyptian no longer validates for the Hollywood & Highland parking, although that may still be your best bet for parking.  You'll have to get validation in the Hollywood & Highland complex though.  There is also street parking, some $5 lots, and the Metro Red Line to Hollywood & Highland.

Coming Soon to Los Angeles Filmforum:

Los Angeles Filmforum is the city's longest-running organization screening experimental and avant-garde film and video art, documentaries, and experimental animation.  2012 is our 37th year
Memberships available, $70 single, $105 dual, or $50 single student
Contact us at lafilmforum@yahoo.com.  www.lafilmforum.org
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Spielberg Theater at the Egyptian (View)
6712 Hollywood Blvd.
Los Angeles, CA 90028
United States


Film > Movies
Film > Premiers

Kid Friendly: No
Dog Friendly: No
Non-Smoking: Yes!
Wheelchair Accessible: Yes!


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