Where does sound begin and where does it end? Where is the boundary between sound, the body and the environs of stage and audience? Dancer/choreographer, Naoko Maeshiba's work to date has focused on unveiling the body's most primal state through its contact with the immediate environment. Andrew Hayleck, an electro-acoustic musician, works with sound as both a perception and as a physical object. Hayleck and Maeshiba delicately examine the intersection of space/body/sound through shifting temporal and spatial relationships with each other.
Composer and curator Guy Barash's new music series Eavesdropping kicks off its third year of adventurous modern programming. It returns to The Tank to present some of today's most daring performers and astonishing composers.
For artists, Eavesdropping provides a stage for risktaking and the exploration of non-conventional sound, to present a relevant boundary-breaking artistic work. Shows often include multimedia elements, real time electronic processing, and performance art.
The Tank's intimate black box theater brings our audiences close enough to become part of the creative process. We are committed to presenting innovative repertoire that is relevant and intriguing. Eavesdropping is a crossgenres new music series presented to the city's inquisitive listener - the one that seen it all and heard it all but craves for cultural excitement.
The Tank (View)
151 w. 46th st., 8th Floor
New York, NY 10036