shibui_oto is pleased to present immersound_SEA in partnership with Wayward Music Series at the Chapel Performance Space.
immersound_SEA will showcase the artists Christopher Bissonnette (CA) and Tim Hecker (CA) for an evening of performances in an immersive 6.1 channel installation.
immersound is a concert event/philosophy initiated by France Jobin (i8u) which proposes to create a dedicated listening environment by focusing on the physical comfort of the audience through a specifically designed space. The premise for immersound is to seek out/explore new perceptions and experiences of the listening process by pushing the notion of "immersion" to its possible limits.
Christopher Bissonnette began his career studying fine art at the University of Windsor. Majoring in video and multimedia, he began to produce video that was inseparable from sound, and sound that produced contextual support to the abstracted imagery of his visual work. Bissonnette experienced the rise of the Detroit electronic music scene in the early 1990s, and began to develop an aural vocabulary of his own. He experimented with "purist" techno sound, working with analogue synths and rhythm machines.This was ultimately unfulfilling. In 1996 Bissonnette teamed up with Mark Laliberte to form Disseminator Audio, which produced hybrid performances of sequenced tracks, turntable experiments and spoken word. Bissonnette refined this vocabulary producing audio, video, and installation work. In 1997 Laliberte and Bissonnette began working with Windsor artist Chris MacNamara, founding Thinkbox, a media collective focused on the intersection of art and popular electronic music. Thinkbox produces art in a variety of media and spaces from art galleries to nightclubs and have fronted a series of limited edition, themed compilations, beginning with Settings. In early 2004 the collective released Guitar, a collection of the members manipulated interpretations of prerecorded guitar sessions. In 2004 Thinkbox was invited to perform a showcase at Mutek in Montreal. In addition to a collaborative performance with the other five members, Bissonnette offered a solo piece derived from a body of work that would eventually be comprised in his solo debut release Periphery.
Tim Hecker is a Canadian-based musician and sound artist, born in Vancouver. Since 1996, he has produced a range of audio works for Kranky, Alien8, Mille Plateaux, Room40, Force Inc, Staalplaat, and Fat Cat. His works have been described as "structured ambient", "tectonic color plates" and "cathedral electronic music". More to the point, he has focused on exploring the intersection of noise, dissonance and melody, fostering an approach to songcraft, which is both physical and emotive. The New York Times has described his work as "foreboding, abstract pieces in which static and sub-bass rumbles open up around slow moving notes and chords, like fissures in the earth waiting to swallow them whole". His Harmony in Ultraviolet received critical acclaim, including being recognized by Pitchfork as a top recording of 2006. Radio Amor was also recognized as a key recording of 2003 by Wire magazine. His work has also included commissions for contemporary dance, sound-art installations, as well as various writings. He currently resides in Montreal.
shibui_oto [subtlety in sound] is a sound art presentation collective. Dedicated to the act of listening, it facilitates intervention between sound creation and architectural or geographical spaces. shibui_oto strives to push beyond borders with respect for the context of presentation and artistic vision. In the spirit of minimalism and drawing from Japanese culture, shibui can be named as the aesthetic of simplicity, balanced with refinement in detail.
shibui_oto affirms its commitment to the nuances of sound environments and dedicated listening experiences.
The Chapel Performance Space at the Good Shepherd Center (View)
4649 Sunnyside Avenue North
Seattle, WA 98103
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|Dog Friendly: No|