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Bring the Noise: a conversation around Afrofuturism & The Art of Noise Manifesto, with guest curator King Britt
thefidget space
Philadelphia, PA
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Bring the Noise: a conversation around Afrofuturism & The Art of Noise Manifesto, with guest curator King Britt
<fidget>'s Fourth Annual Fall Experimental Music Festival presents:

Bring the Noise: a conversation around Afrofuturism & The Art of Noise Manifesto

Curated by: KING BRITT
Moderated by PETER PRICE

Discussions and Performances by:

HANK SHOCKLEE
|Public Enemy/Bomb Squad/Future Frequency|

KING BRITT
|FIVESIXMEDIA|

HPRIZM
|Anti-pop consortium|

COMPUTER JAY
|Pugilista/Weird Science|

YTASHA WOMACK
|Author of Afrofuturism|

MARLO REYNOLDS
__________________________________________

/// <fidget> and Bring the Noise ///

<fidget> conceives the 'experimental' as an approach towards the 'already known' and to the 'not yet known' that unfolds within many forms of music. Our yearly experimental music festivals examine the diversity of experimental approaches to the sonic outside of the strictures of artificial genre boundaries. King Britt's curatorial vision fits in perfectly with our desire to continue to expand our understanding of the 'experimental,' and to bring vibrant, challenging and diverse musics to our audiences.

Bring the Noise provides a platform for the investigation of the current state of afrofuturist philosophy and aesthetics of experimental music.

/// What is afrofuturist? ///

Around the time of the birth of hip-hop, the term 'afrofuturism' was coined to identify an aesthetic and philosophical orientation that had been growing within music and literature for some decades. Afrofuturism re-imagines the condition of afro-diasporic cultures through a lens of science fiction. In music of many kinds this orientation has provided a push towards experimental energies: consider the mytho-cosmic jazz of Sun Ra in the 60's, the sci-fi funk of Parliment-Funkadelic in the 70's, Afika Bambaataa's soulsonics in the 80's and Dr. Octagon's extraterrestrial surrealism of today.

New forms of electronic experimentalism have grown out of DJ culture and are led by a new generation of afrofuturist inspired multimedia artists - vibrationists and rhythm scientists like DJ Spooky and Philadelphia's own King Britt.

/// More about King Britt ///

King Britt is a producer, composer, performer and curator of electronic music.

As a producer/composer, he fuses his knowledge of music history from many cultures and genres with electronic compositions, which redefine and  re-contextualizes the past into the present.  This is best shown in his work for Preservation Hall's release King Britt presents Sister Gertrude Morgan, which combined, the gospel evangelist's vocal recordings from 1970 with contemporary composition.  This recording went on to penetrate the pop culture divide, by appearing in Michael Mann's Miami Vice and  HBO's True Blood tv show, who's soundtrack was nominated for a Grammy.  It was this and many other projects from his vast catalog that helped him receive the Pew Fellowship for Composition in 2007.

He has remixed and produced many diverse artists including Miles Davis, Curtis Mayfield, Radiohead, Alison Moyet, Everything But the Girl and Chic, as well as scoring commercials for Rolex and L'oreal Paris.

As a performer, King is best known as one of the top globetrotting dj's in the world.  From cutting his craft as the wax poetic for the Grammy Award winning Digable Planets to traveling solo to different cities and countries, bringing cultures together through his eclectic taste and live improvised dance/experimental sets.

In addition to the dj sets, he brings many projects from studio to the stage environment.

These include, Sylk130 Collective (which sold over 500k copies), Saturn Never Sleeps and The Sister Gertrude Experience, performing in spaces as diverse as The Whitney Museum, The Corcoran Gallery and Winter Garden in the NYC Financial Center.  King has graced the stage at festivals well, such as Kernel Festival (Italy), Moogfest (Asheville) , Glastonbury (UK), River to River (NYC), Camp Bisco (upstate NYC)  and Voodoo Fest (New Orleans).

As a curator, he has done events for the Institute of Contemporary Art in Philadelphia, Knitting Factory NYC, The Getty Museum and a residency at The Painted Bride Arts Center, bringing electronic music artists into special projects and settings that they normally are unaccustomed and creating new work.

Recently remixing Merideth Monk, Saul Williams and King Sunny Ade. King continues to be an important force in the shaping of contemporary music.

He is currently working on Dumi Songs with Tendai Maraire of Shabazz Palaces, that take the historic Zimbabwe recordings of Tendai's father Dumi Maraire, the master of the Mbira, and combines them with contemporary composition and arrangements.  Set to be released in 2013 with a live multimedia experience to accompany it.

Discussion

Location

thefidget space (View)
1714 North Mascher St.
Philadelphia, PA 19122
United States


Categories

Music > Experimental
Music > Festivals
Music > Other

Dog Friendly: No
Non-Smoking: Yes!
Wheelchair Accessible: No

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