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Maysles Cinema, Third World Newsreel, and the Documentary Forum at City College Present: Reunification
NOTICE: Advance ticket holders must arrive 15 minutes prior to showtime to be
guaranteed a seat.
Between faded family photographs, old video footage, and interviews collected through the years, Alvin Tsangs Reunification bears the look and feel of a documentary thats taken decades to produce. Perhaps it required all that time for Tsang to fully process his familys history and confront his own emotionally turbulent upbringing. For the audience though, that passing of time is key to the films powerful portrayal of tireless emotional reconciliation. When his mother and two siblings first immigrated from Hong Kong to Los Angeles in the early 1980s, six-year-old Alvin was forced to stay behind with his working, and consequently absent, father. Spending the following three years often alone in an empty apartment, he longed for his familys reunification. However, upon Alvin and his fathers arrival to America, that dream was utterly and permanently shattered under circumstances the filmmaker has yet to fully comprehend to this day.
Reunification is Tsangs poetic and self-reflexive exploration of many unresolved years poetic in its wonderfully articulated narration and in its restraint as he grasps for any semblance of explanation. Backed by an achingly beautiful score, the film moves moodily across different channels and modes, bending into labor histories and Hong Kongs colonial trajectories, wading in the mire of nostalgia, grief, and confusion that is his past. And in his search for answers, Tsang turns the camera on his own family, cautiously prodding for answers, but fully acknowledging that the only closure he can get will be from deciding for himself how to move on. Brandon Yu
Q&A with director Alvin Tsang to follow screening.
This program is part of An Open Letter to NYC:
Immigrant Documentary Filmmakers and Their Films
Starting with the periods before, during, between, and after the two world wars through to the present day, the American film industry would not exist without the immigrant filmmaker. In fact all contemporary American art and media, including the current documentary renaissance, is enlivened by and rooted in the modern immigrant experience. An Open Letter takes stock in immigrant, refugee and expatriate documentary filmmakers and/or documentary films about immigration and pays special attention to filmmakers from dominant and emerging NYC populations including those of Caribbean, Eastern European, Latin American, South and East Asian, Middle Eastern and West African descent. Programmed by Jessica Green and Edo Choi. Venues will include City College in Winter 2016, and City College and the Maysles Cinema in Spring 2016.
This series is supported by New York Citys Department of Cultural Affairs (DCLA) as part of the 2016 Immigrant Cultural Initiative.
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Adresse At City College of New York Shepard Hall (Afficher)
259 Convent Ave. (corner of 140th and Convent Ave.) Rooms 290 and 291
New York, NY 10027
United States
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