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THE RUSSIAN EXPERIMENT: Outlawed Soviet Composers of the 1920s
Abramson Family Recital Hall | Katzen Arts Center | American University
Washington, DC
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THE RUSSIAN EXPERIMENT: Outlawed Soviet Composers of the 1920s
PostClassical Ensemble and American University's Carmel Institute of Russian History & Culture present

THE RUSSIAN EXPERIMENT: Outlawed Soviet Composers of the 1920s
A Concert & Symposium with Vladimir Feltsman

This concert is part of PostClassical Ensemble's season long Immersion Experience "Soviet Culture Before Stalin." An exploration of the cultural experimentation that flourished in Russia, prior to the purges of Stalin.

Thursday, October 19/ 7:30 pm
Abramson Family Recital Hall | Katzen Arts Center
American University

Alexander Feltsman, piano
Benjamin Capps, cello


Unlike their compatriots Rachmaninoff, Stravinsky, and Prokofiev, Mosolov, Roslavets, and Protopopov never left Russia -- and this simple fact explains why their music is practically unknown in the West.  Vladimir Feltsman

    Alexander Scriabin:
    Piano Sonata No. 4 (1903)
    Two Dances, Op. 73 (1914)
    Vers la Flamme, Op. 72 (1914)

    Alexander Mosolov:
    Two Nocturnes for piano, Op. 15 (1926)
    Legenda for cello and piano, Op. 5 (1924)

    Nicolai Roslavets:
    Five Preludes for piano (1919-22)
    Dance of the White Maidens for cello and piano (1912)

    Alexander Protopopov:
    Piano Sonata No. 2, Op. 5 (1924)

Discussion

Location

Abramson Family Recital Hall | Katzen Arts Center | American University (View)
4400 Massachusetts Avenue NW
Washington, DC 20016
United States

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Categories

Arts > Performance
Education > Workshops
Music > Classical
Music > World

Kid Friendly: No
Dog Friendly: No
Non-Smoking: Yes!
Wheelchair Accessible: Yes!

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