Shemekia Copeland with Special Guest Clarence Spady
At a young age, Shemekia Copeland is already a force to be reckoned with in the blues.
While still in her 20s, she's opened for the Rolling Stones, headlined at the Chicago
Blues Festival and numerous festivals around the world, scored critics choice awards on
both sides of the Atlantic (The New York Times and The Times of London) and shared the
stage with such luminaries as Buddy Guy, B.B. King, Taj Mahal and John Mayer. Heir to
the rich tradition of soul-drenched divas like Ruth Brown, Etta James and Koko Taylor,
Copeland's shot at the eventual title of Queen of the Blues is pretty clear. By some
standards, she may already be there.
Copeland's passion for singing, matched with her huge, blast-furnace voice, gives her
music a timeless power and a heart-pounding urgency. Her music comes from deep
within her soul and from the streets where she grew up, surrounded by the everyday
sounds of the city – street performers, gospel singers, blasting radios, bands in local parks
and so much more.
Born in Harlem, New York, in 1979, Copeland actually came to her singing career
slowly. Her father, the late Texas blues guitar legend Johnny Clyde Copeland, recognized
his daughter's talent early on. He always encouraged her to sing at home, and even
brought her on stage to sing at Harlem's famed Cotton Club when she was just eight. At
the time, Shemekia's embarrassment outweighed her desire to sing. But when she was
fifteen and her father's health began to fail, her outlook changed. "It was like a switch
went off in my head, and I wanted to sing," she says. "It became a want and a need. I had
to do it."
At only 19, Shemekia stepped out of her father's shadow with the Alligator release of
1998 debut recording, Turn the Heat Up!, and the critics raved. The Village Voice called
her "nothing short of uncanny," while the Boston Globe proclaimed that "she roars with a
sizzling hot intensity." A year later, she appeared in the Motion Picture Three To Tango,
while her song "I Always Get My Man, was featured in the film Broken Hearts Club.
Her second album, Wicked, released in 2000, scored three Handy Awards (Song of the
Year, Blues Album of the Year, Contemporary Female Artist of the Year) and a
GRAMMY nomination. Two years later, New Orleans R&B legend Dr. John stepped in
to produce her third recording, Talking To Strangers (2002), which Vibe called "a
masterful blend of ballsy rockers and cheeky ballads."
Copeland released The Soul Truth in 2005. The album was produced by legendary Stax
guitarist Steve Cropper (who also played on the CD), and featured generous doses of
blues, funk and Memphis-flavored soul.
She joined Telarc International for the February 2009 release of Never Going Back. This
new chapter in the Shemekia Copeland story represents a crossroads on her ongoing
artistic journey – a place where numerous new avenues are open to her. While she will always remain loyal to her blues roots, Never Going Back takes a more forward view of
the blues, and in so doing points her music and her career in a new direction.
"I've had success in my career, and I'm happy with that," she says. "But that doesn't
mean I don't want to continue to grow. In order for an artist to grow – and for a genre to
grow – you have to do new things. I'm extremely proud to say I'm a blues singer, but that
doesn't mean that's the only thing I'm capable of singing, or that's the only style of
music I'm capable of making."
She adds: "I want to keep growing. My main goal when I started this was that I was
going to do something different with this music, so that this music could evolve and
grow. I got that idea from my father. He didn't do the typical one-four-five blues. He
went to Africa and worked with musicians there. He was one of the first blues artists to
do that. I want to be the same way. I want to be innovative with the blues."
Ephrata Main Theatre favorite, Clarence Spady will open the show.
Ephrata Main Theatre
124 East Main St.
Ephrata, PA 17522
|Kid Friendly: No|
|Dog Friendly: No|
|Wheelchair Accessible: No|