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"Jazz Parades: Feet Don't Fail Me Now" & "The Carter" [COUNTRY RAP: Louisiana]
Maysles Cinema
New York, NY
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"Jazz Parades: Feet Don't Fail Me Now" & "The Carter" [COUNTRY RAP: Louisiana]
FOR IMMEDIATE RELEASE

New York - Aug 19, 2010

A Louisiana music film double feature - Alan Lomax's "Jazz Parades" and Adam Lough's "The Carter", a shockingly intimate portrait of prolific rap artist Lil' Wayne.
2 for the price of one. Come to 1 or both films!

>>@7:00pm
Jazz Parades: Feet Don't Fail Me Now
Dir. Alan Lomax, 1990, 58 mins.
Alan Lomax's Jazz Parades explores the cathartic Sunday jazz parade of social clubs like King Zulu, the Young Olympians and the White Eagles in New Orleans. An overview of the jazz scene takes form in the convergence of "the Uptown Blacks with the Downtown Creoles" and in interviews with the participants, who open the door for understanding the ritual aspect of "turning loose" the dead, celebrating Mardi Gras and sublimating violence by dancing in the streets. Their heroes (Louis Armstrong, Sidney Bechet, Buddy Bolden, Johnny Dodds, Jelly Roll Morton, King Oliver, Kid Ory, Manuel Perez and John Robichaux) started out in the red light district, where the madames became the first patrons of jazz. While Lomax's strong narration tends to 'explain away' blues voices as historically and socially determined, his ethno-musicological approach pays of at times, for example with the crosscuts between African ceremony and Jazz parades to make their common links clear.

>>@8:00pm
The Carter
Dir. Adam Bhala Lough, 2009, 80 min.
"'The Carter' is a documentary about Dwayne Michael Carter Jr. aka Lil' Wayne. It is an intoxicating, cinematic journey into the thoughts and world of an extremely complicated man whose creative force is something to behold. He never stops recording, and his work is his own: unfiltered, uncensored, raw, and powerful. Director Adam Bhala Lough captures remarkably candid moments, such as Lil' Wayne recounting his first sexual experience, as well as him talking openly about his drug habits. Following him all over the country and to Amsterdam, Lough mixes fly-on-the-wall footage of Lil' Wayne in his hotel room and on his bus with artfully composed concert footage. The result is a shockingly intimate portrait of one of the most inspired (and eccentric) musicians embodying New Orleans' rich, complex cultural traditions today, capturing the imagination of mainstream America through his work." - Sundance Film Festival

Part of the two-part series "Country Rap: The Gulf States" & "Katrina: Five Years Later" August 20th - September 2nd, 2010 at the Maysles Cinema.
This two-part series sheds a spotlight on hip hop (and its cultural and political antecedents), from a region engulfed in environmental siege with centuries old roots and a New South identity. After considering hip hop's southern migration and local variations, Country Rap transitions into Katrina: Five Years Later, a selection of films that document New Orleans' rich history, lending further gravity to those made in response to the devastation of New Orleans, and efforts towards recovery.

Discussion

Location

Maysles Cinema
343 Lenox Ave.
New York, NY 10027
United States


Categories

Film

Kid Friendly: No
Dog Friendly: No
Non-Smoking: No
Wheelchair Accessible: No

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